- #Garageband vs sound studio for mac software#
- #Garageband vs sound studio for mac download#
- #Garageband vs sound studio for mac free#
- #Garageband vs sound studio for mac windows#
Windows users will find a lot to like about Presonus Free, Reaper, and Zynewave Podium. If you are not an Apple user, or just want to use a different DAW with a more flexible interface, there is a myriad of products available at entry-level prices that still provide world-class performance.
#Garageband vs sound studio for mac software#
Garage Band is an easy-to-use multi-track software program that has enough options for anybody and exports to 44.1 KHZ 16-bit audio for transferring to more expensive software programs or using in the final mastering and production process.įor less than the price of a decent meal, you can find digital-audio workstation (DAW) apps like MultiTrack DAW ($9.99), Audiostar ($4.99), StudioMini Recording Studio ($4.99), and Sonoma Wireworks 4-Track ($4.99) that offer basic multitrack-recording capabilities allowing you to stack multiple-layered parts and produce a CD-ready recording. Garage Band (free on some Apple products and just $10 for the basic app) will run on the iPhone, but the display will be small enough that I recommend at least an eight-inch tablet.
#Garageband vs sound studio for mac free#
Apple has done a terrific job making its free Garage Band recording program intuitive and sophisticated, so it is a great jumping-off point for the beginning recordist. If you don’t already own a computer and you’re willing to do a little looking around, you could pick up an iPad Mini, a preamp/interface/converter, two microphones, boom mic stands, and one microphone windscreen-all for around $500. Audacity is one freeware option that has a lot of devotees and is relatively easy to use.
#Garageband vs sound studio for mac download#
Download your choice of free recording software and you’re ready to go. This will get you the basics: a microphone, stand, and basic interface/preamp that will plug in to your computer (see sidebar, “Computer Interfaces”). If you already have a computer, most retailers offer beginner-level recording packages that start at around $200. Now, a sophisticated home-recording studio-with the ability to capture, process, and distribute music electronically-is within reach of anyone with a smartphone, tablet, laptop, or desktop. Upload to a site like Soundcloud or Bandcamp and, just like that, you’ll be sharing your music with the world. You can make a pretty good guitar/piano vocal recording by experimenting with where you place the phone. Smartphone voice memos software records to a compressed M4A digital format. You could even just use the included IOS, Android, or Windows voice recorder. If you don’t have an extra dime, but you do have a smart phone, you can download free recording software and play straight into the phone. Here’s what you can get on your specific budget, along with some basic rules for recording yourself.
In this digital world, the only real boundary is your creativity.īasically, what you need is a device to capture your sound and, depending on how much you want to spend, some additional tools to expand your options. Still, free of the limits of tape and studio time, you can keep trying, and learning, over and over, until the magic happens. And sorting through the bewildering array of options for capturing sound can be frustrating and expensive. Having unlimited do-overs is fantastic, but it can also lead to musical paralysis and over-thinking. Today, musicians can concentrate more on achieving their creative vision than on recording quickly so they don’t break the bank.īut advances in technology bring pitfalls, too. Equipment has never been more reliable or affordable, and the process has never been more intuitive and transparent. Now, a sophisticated home-recording studio-with the ability to capture, process, and distribute music electronically-is within the reach of anyone with a smartphone, tablet, laptop, or desktop. I wasn’t in that category, in case you wondered.ĭigital technology, accessible at home, has changed this equation. Only the most well-funded musicians had the luxury of time to experiment and refine their sound. I was excited to be putting down tracks at last, but I’ll never forget the feeling of mounting pressure as I tried to beat the clock and use as little time and tape as possible. It was pretty much the only option at the time. T hirty years ago, I recorded my first full-length LP, cutting it in a studio, with expensive equipment and (really expensive) hourly rates. From the August 2017 issue of Acoustic Guitar | BY NATHAN BELL
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